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| /// 5D2 mov files into Premiere CS4.1: How It's quite easy. | 5D2 mov files into Premiere CS4.1: How It's quite easy.
Question of bigaxl:
Juli 2009
After I have tried in recent weeks, most everything that has been posted in the insider communities on this issue, the following method as shown stressfreiste. Previously been tried:
- Transcoding in all possible and impossible format. There have always been quality and loss or displacement from the YUV / RGB - 16-235/0-255 issue. Only the Cineform transcoder considers the loss limits. The created files, but not currently run under CS4.1 smoothly and for 100, - ¬ can be synonymous again some grub at the hips.
- Re-wrapping into a MP4 container with other softwares such as super, etc. Aspect / Ratio of problems
- Generate of external proxy files with some adventurous various workflows. Functional, but not ergonomic. The basic idea is correct.
I'll create the proxy files of Premiere:
- All project files into a sequence XDCam EX (Import 1080p 30p, according to specs to 35 Mb / s) and with the command 'convert Automate to Sequence' and can create the method 'Add' on the timeline.
- Create With the command 'New' and hung a black stripe on the timeline s.das end.
- Hit enter and the whole is rendered, while Premiere internal port the proxy files. On my calculator i7 rendering takes about 1:1.5 or 10 minutes are finished in 15 minutes. Now everything is running smoothly synonymous of high quality.
- Now, the entire contents of the timeline is cleared and the clips in the sequence can always easily as always synonymous with green and headline use. They behave like the smooth SD footage. These properties are retained after saving synonymous, synonymous when the clips are no longer on the timeline.
There are in the process and any loss of quality when exporting to eg H264 with 35 Mb / s running on the outcome of different playback hardware. Even my MMHDD WDTV is enthusiastic and bestowed along with my HD projector an outcome as anyone could wish for.
Just try it. It is quite easy.
Reply bigaxl:
Over 250 Views and not a thank you? :-O
Reply WWJD:
Sounds good s.bigaxl.
Now, really missing is a RAW file of this cam to try it out yourself time, with me on CS3. Now, the very friendly question:
Has anyone a wonderful way to pass the file? Must be only a short snippet, a few seconds. Would be nice .........
Thank you very much
Jack
Reply bigaxl:
Sounds good s.bigaxl.
Now, really missing is a RAW file of this cam to try it out yourself time, with me on CS3. Now, the very friendly question:
Has anyone a wonderful way to pass the file? Must be only a short snippet, a few seconds. Would be nice .........
Thank you very much
Jack
I place in the near future once purely a snippet to RapidShare.
Reply canovision:
Hello,
> bigaxl <
> 250 Views and No Thanks'
out here you do not necessarily need to hope, from my own experience is often zero feedback on our tips and tricks, a real shame
synonymous but would benefit from another, whether it's with the 'Help borne fruit' or not!
Ist halt so ...
Addendum:
But hey .... do that!
Reply jazzy_d:
Wow ..... interesting. Is a pity if such useful functions are hidden so well. Not even in the help you can find something about proxy.
I've tried that now views with one downloaded AVCHD clip. What can I say, works perfectly. AVCHD is around 43MB from 77MB EX-mpeg2 which then slips just like that.
Even though I have no AVCHD Cam and 5DMKII not synonymous, and will not buy, THANK YOU :-) great tip for de !!!!!!
PS
Now they will be exported, only the question of whether synonymous to an SD timeline and s.Schluss can make it to the HD comes out. For that I would actually call the correct proxy function.
Reply Jörg H.:
Bigaxl Thanks for the effort!
I will try the daily times. 1:1,5 is a super relationship, but unfortunately, depending on the Calculator. With me is almost always count on with 1:3, which may already pretty annoying.
Did the update of Final Cut Pro ink. AVC-Intra to improve on 'nem MAC associated? Have you heard from the direction of improving the planning of Adobe playback performance of 5D mk2 - material?
I have long been synonymous heard no rumors / information on activities of Canon with respect to a further firmware development. Doing something at this level? (; 25/24p, 720p, zebra, AGC, etc.)
That proves it is indeed Hudson's Hack!
But no preference - the Canon 5D mk2 is synonymous all so worth it!
Greeting
Jörg
Reply WWJD:
Hi bigaxl
Please tell me how I can send you an email so that you then
can kindly send it to us a short snippet 5D MII?
Would colossally .......
Thanks Jack
Reply bigaxl:
Sounds good s.bigaxl.
Now, really missing is a RAW file of this cam to try it out yourself time, with me on CS3. Now, the very friendly question:
Has anyone a wonderful way to pass the file? Must be only a short snippet, a few seconds. Would be nice .........
Thank you very much
Jack times ... then I just put something in. to RapidShare.
Ok. Here are 10 sec Footage to Download: http://rapidshare.com/files/260208238/MVI_1331.MOV
Reply WWJD:
Hey man, thanks, try it now gehts ans.
Am as sharp right out .....
Jack
Reply hkrull:
Hello bigaxl,
Thanks for the tip - works wonderfully!
What irritates me a little, is your soundtrack to the 10sec clip. Is it really so tough film with a CANON EOS 5MkII too? ;-)
No offense .... Thanks again and love greeting
Good night hkrull
Reply bigaxl:
Is it really so tough film with a CANON EOS 5MkII too? ;-)
Hehe ... that was the final take from a longer session Glidecam free hand, without a waistcoat and dragging around with other hardware. The Hotelfassade just fine.
Here are the times and the Glidecam Rig: http://www.youtube.com/watch?v=-7sOShbC1AY
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